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That song highly applied to everyone and everyone would get it, and it had nothing to do with just a personal desire for it to be Lady In Red. I was so excited when I found out that that could happen. They were like, “There’s Muzak.” I was like, “Could it be Lady In Red?” And they were like, “We don’t see why not.” And I was like, “Are you kidding?” And then from that moment on, every, all forces were marshaled towards it being Lady In Red. The whole music budget went to game All of it, yeah. game acquiring Lady In Red. Every cent we had. If you don’t like the other songs, that’s ’cause we couldn’t afford other ones. Yeah, Lady In Red. Chris De Burgh, getting rich off this film. This is such a great moment. The way that they dance, and then this amazing game The looks between them, they’re just game Well, and this really captures it, right? It’s like he’s just looking at her and she’s looking away, you know what I mean? Like there’s game She’s now thinking about the journey she’s about to go on and he’s just thinking about what could happen between them, and if he would just be a little bit more perceptive, I think especially in this scene, you know, this is where he might have had a better clue of where this was heading. Yeah, yeah. It’s another moment of not really listening to Margo and instead listening to his own expectations of Margo. Her last name is Spiegelman, the German word meaning “mirror man.” And Q’s looking at Margo and seeing a reflection of himself rather than seeing anything about Margo. Thatjust got super deep. Well, you know, I spent a few years writing the book, so you have to think of some stuff to entertain you. I also game I mean, when I was reading the book, that line, “Cute when you’re confident, less when you’re not.” Oh, my God, does that cut? Yeah, well, I admired her honesty in that moment, I guess. This is another one of my very favorite shots in the movie. The way that they end up right in the middle of the street, sort of between their two worlds, making choices about their future.


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