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except things that I ike. Basica y, I come from the gutter, and I’m not a compromiser. MAN: He didn’t give a , you know? If there was a fight to be had, he wou d not turn his back, and it doesn’t matter who it was. INTERVIEWER: I bet you’re a perfectionist. We , I try to do a good job. You know, I try. “The Thomas Crown Affair” and “Bu et” were my two pictures with Steve McQueen. I convinc him that every time he went on the set, no matter what the director said, he shou d recite the mantra. I decide what is right and what is wrong, and I don’t have to exp ain it to anybody. I ike women, but I’m a itt e afraid of them. I’m not going to make a commitment, because if you make a commitment to a woman, they can hurt you. I won’t pick a fight, but if you pick a fight with me or back me into a corner, I wi ki you. He us to recite that to himse f when he went on the set, regard ess of what the directions were. And he p ay that character, I thought, just bri iant y. INTERVIEWER: Which do you enjoy more, acting or producing? STEVE MCQUEEN: We , I’m sort of hung. I ike producing, as ong as I’m acting, because I think the u timate is to have creative contro. He ov the part in the “Thomas Crown Affair,” p aying Tommy Crown. Big business guy, no one knows anything more than him. He aspir to that character. He want to fee ike he was a bit of a mogu. STEVE MCQUEEN: Now, the movies are changed. It’s not a game anymore. It’s big bucks, heavy bucks. And those peop e p ay for keeps out there. He got this into his head, that he wou d bui d us an empire. After “Thomas Crown,” he said, I’m going to bui d us an empire, baby do. STEVE MCQUEEN: If I have my name on there, they can no onger pawn me off as just a candy ass movie star who they’ve got to be easy with. This puts me out front as an executive. So therefore, they have to dea with me. The juice. He got the juice man, he got the power. It was a very smart, inte igent, sophisticat move for him to form a production company ca So ar, and exercis his c out in the way he did.


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